Fake Detroit Crips : W7M 83GC SCOREGANG CRIPS

  I’ve been following this one sided self projection for a while now, and the pattern has become pretty clear. What started as one guy (Zahid /Tiny Joker) trying to “expose” online fakes has slowly turned into a one-man obsession campaign that want the world to believe his narrative (but they don’t) centered on WSDMGC73 while relentlessly boosting Scoregang / Hyena Crips / W7M. It’s less journalism at this point and more personal fixation. Disclaimer’s  Let me be clear upfront: I’m not defending WSDMGC73. I’m simply observing Zahid claims,I will be referring to Tiny Joker as Zahid. checking the facts he presents, and noting where they keep falling apart as new information surfaces. This space isn’t about picking a side in some  beef Zahid Made with a LA Rap Crew who doesn’t acknowledge the Internet Crip (Zahid) Behaviors — it’s about calling out unverified online narratives that get repeated as gospel.  Viewer discretion is advised for you only Zahid  The Paymen...

  In the digital age, social media platforms like X (formerly Twitter), Instagram, and Reddit have become battlegrounds for cultural debates, including those surrounding gang affiliations, authenticity, and regional rivalries. One particularly intriguing case involves an individual known online as “Tiny Joker,” who appears to operate under multiple aliases across platforms to promote specific narratives about Crip sets. This analysis breaks down the evidence step by step, drawing from publicly available posts, screenshots, and behavioral patterns. The goal is to illustrate how sockpuppeting—using fake or alternate accounts to manipulate discussions—can be detected through inconsistencies and overlaps. While this centers on debates about the West Side 73 Gangster Crips (73GC) and the Michigan-based Scoregang Crips (often tied to the rap group WSDMGC73 vs. Scoregang defenses), the examination remains neutral, focusing solely on the mechanics of online identity management rather than ...

  If you’ve followed Tiny Joker’s writing for any amount of time, especially on the w7mscoregang.com / Blogspot rotation, a familiar pattern starts to emerge. His January 21, 2026 post titled “Dlow Problem WSDMGC73 Don’t Want to Talk About” doesn’t really introduce anything new—it largely repeats arguments he’s been circulating for almost a year now, often using the same phrases, tone, and framing almost word for word. The core message is always consistent: WSDMGC73 is portrayed as “online-only,” “inauthentic,” and disconnected from any real-world culture or influence. The language rarely changes. Terms like “cosplay,” “aspirational,” and “internet-made” show up again and again, aimed at the same California-based rap collective that, for the most part, appears focused on releasing music rather than engaging in online disputes. What’s missing from these posts is verifiable evidence. Assertions are repeated, but documentation is thin or nonexistent. Self Claims are made without l...